This time around, artist Amanda Mudrovich is working with a small group of high school students to create an indoor mural that will feature a mixture of tile work and paint. Currently, students are working on the painting portion of the mural. As with the first mural at Harlan, this project has also been funded by the Metropolitan Family Services.
CPAG is partnering with the Cook County Bureau of Asset Management and the Cook County Hospital Systems to create a public art installation that activates a pedestrian corridor linking Stroger Hospital and the new Central Campus Health Center.
Lead artists Mirtes Zwierzynski and Sonja Henderson with assistant artist Amanda Mudrovich are holding a series of six workshops with the students from Crane High School to come up with the design. As part of the design process, CPAG held a special workshop where Cook County Board President Toni Preckwinkle, Alderman Walter Burnett (27th ward) and CEO of Cook County Health and Hospital Systems, Dr. John Shannon spoke with the students about the hospital systems' mission and history.
A team of 10 teens spent six weeks designing, constructing, and painting the mural in Harlan Academy's courtyard. The teens are participants of the Metropolitan Family Services violence prevention summer program, and led by artists Todd Osborne and Amanda Mudrovich.
Metropolitan Family Services reached out to CPAG with their interest in the project. CPAG was able to secure additional funding from the Chicago Community Trust Fund's Safe and Peaceful Communities Grant to make the project happen. CPAG helps communities, such as Metropolitan Family Services and Harlan Academy, figure out how to make these project happen! From looking for funding to finding the right artists; we do so much more than just ordering the supplies, writing contracts, and organizing the payments.
This project was also a great example of artists mentorship. Todd Osborne has over ten years of experience in bricolage. He mentored Amanda Mudrovich, a mix media artist, to learn about the bricolage process. One of CPAG's core goals is to train and educate professional artists in the process of creating community responsive art projects, enabling them to become responsible leaders in the field of public art.
The mural will be unveiled on Tuesday, August 8th, noon to 2:00 pm at Harlan Community Academy High School, 9652 S. Michigan Ave.
We would like to thank Chicago Community Trust for awarding us the Safe and Peaceful Communities grant
Chicago Public Art Group has partnered with Alcott College Prep to utilize the power of art to educate and build community with the students and faculty at Alcott College Prep High School. This work was made possible by the Ingenuity Creative Schools Fund.
For this project, Alcott students were led by CPAG artists John Pitman Weber and Anna Murphy, as well as Alyssa Medina, Alcott’s art teacher. Together, they created a 3D sculpture depicting the message “Love” using painted papier–mâché and mosaic tiles.
The process of creating the work consisted of multiple steps including developing the concept, sketching the design, sculpting the papier- mâché onto the template, painting the papier- mâché, and placing the intricate mosaic tiles. The final product was then installed above students’ lockers in a hallway of the school.
This powerful sculpture welcomes students, faculty, and visitors, while speaking to themes of community, multiculturalism, and dreams.
ChiCAT and CPAG have partnered with 15 student artists to create a powerful mosaic fountain for the ChiCAT educational center. This fountain will be a gathering space for the students to study, play, and socialize. The fountain will be poured concrete measuring about 9'X6'X2' (done by contractors) then covered in mosaics made with glass and gold tile, natural crystals, and stained glass elements created by the lead artists and student assistants. These natural crystals and stone elements, known for their health and spiritual benefits, are intended to empower and inspire the ChiCAT students. This fountain will be a beautiful permanent piece of artwork for all to admire for years to come.
“Sepia”, new murals celebrating the spirit of Little Village and North Lawndale with portraits of community leaders from both neighborhoods are located at two underpasses. The murals, commissioned by the 22nd ward Alderman Ricardo Munoz and managed by Chicago Public Art Group, were developed to celebrate and bridge each neighborhood’s spirit, diversity and history, while promoting their unity.
Alderman Munoz and community leaders wanted to have the viaducts represent a bridge to each community, Little Village a primarily Hispanic neighborhood and North Lawndale an African American neighborhood. It also represented a space for artists from both communities to create art that celebrated each neighborhood’s spirit and diversity.
The finished murals will be unveiled on Thursday, Dec. 8, 2016 at noon. All are invited to come to 2230 S. Central Park Ave. for the unveiling, where Alderman Munoz, artists, residents and CPAG representative will speak about the project. The celebration will continue at La Villita Community Church at 2300 S. Millard, where residents can speak to the artists to learn more about the process.
About the Artists
Rahmaan Barnes grew up on the south side of Chicago, surrounded by urban art and public murals that inspired him to get involved with the subculture of urban graffiti. The main focus of his work became public murals that fuse the graffiti aesthetic. With the classical art training he received from the American Academy of Art. As cofounder of RK Design, a graphic arts and mural company, he has produced over 200 murals, multiple CD covers, book illustrations, and logo designs. Through the Chicago Public Art Croup and Gallery 37, he has instructed children in mural painting techniques and mentored young artists in their craft.
Max Sansing, a Chicago native, was raised on the Southside in the Avalon Park community. His parents were artists, and so he naturally grew to love painting at an early age. Fueled by the desire to create art, Sansing taught himself oil painting and later completed two years of formal college training at the American Academy of Art from 1999 to 2000. In addition to painting full time, Sansing has expanded his creativity and artistic talents into creating murals across Chicago and New York. His current art influences include Norman Rockwell, Maxfield Parrish, Gustav Klimt, Thomas Blackshear, and his late father, Ellis Sansing. Max is the cofounder of RK Design, an art consulting group that specializes in mural and graphic design.
Chicago Public Art Group will work closely with members of the North Lawndale and Little Village communities to create a public art project on four BNSF rail underpasses walls – one at Cermak and Central Park, and the other approximately 2225 S Trumbull. The Sepia Project will unite community members in design and painting processes, and will be a lasting testament to the unique spirit of those neighborhoods.
Large-scale portraits of residents of Lawndale and Little Village will be painted on the underpass walls linking the two neighborhoods. The source for portraits will be photographs provided by community members and will portray the warm, strong capacity of the united 22nd Ward neighborhood.
The Artists will work with the community to further develop the design and theme, which will be approved by a Steering Committee composing of members from Little Village and North Lawndale and the Alderman’s office. The fabrication will involve community members who wish to participate cooperatively through workshops and community days.
Lead Artists include Max Sansing, Rahmaan Statik Barnes, Bobby Price, Miguel A. Del Real, Elizabeth Reyes, Delilah Salgado, Epifanio Monarrez, along with Abdul-Aziz Hassan (Assistant to the Alderman, 22nd Ward).
On Tuesday, October 18th, US Senator Dick Durbin visited the MLK Jr. Living Memorial in Marquette Park. The morning began with a community conversation hosted by Inner-City Muslim Action Network (IMAN) at Holy Cross Hospital. Following the conversation, Sen. Durbin toured the MLK Living Memorial and met the artists, John Pitman Weber and Sonja Henderson.
The visit concluded with a celebratory luncheon at Beth Shalom synagogue in which a diverse group of community leaders and organizations gathered to celebrate shared successes and reflect on challenges that still remain. During this celebration, community members, including CPAG Core Artists John Pitman Weber and Sonja Henderson, spoke about the significance of the MLK Living Memorial and reflected on the collaborative efforts of the many diverse organizations that came together to realize this project.
An extension of Aurelio Díaz’s Galería del Barrio mural at 16th and Blue Island. Across the street, Samantha Kirk and Sandra Antongiorgi have completed a parallel mural that reinterprets Díaz’s original work. “Weaving Cultures” celebrates underrepresented women of diverse backgrounds. The 15 ft. x 40 ft. mural was developed to increase awareness and encourage a dialogue around unity and acceptance.
The original mural, which extends along 16th Street’s railroad tracks, was painted in 1976 with the help of students and community members under Díaz’s guidance. This mural, featuring rows of male faces in various expressions, has also been restored.
When you design public space today, you know you are designing for the future. The best work will involve as many people as possible as early as possible and produce community sites that reflect a society’s vitality and creativity. These same principles guiding successful public art and design projects were at the heart of Creating Places 2007, a two-day symposium sponsored by Chicago Public Art Group and the University of Illinois at Chicago’s Great Cities Institute. More than 100 civic leaders, community development professionals, artists and urban planners gathered together to understand how each other worked on public space issues and approached future opportunities.
On Thursday night, “The Art of Shaping the Urban Landscape” was led by Milenko Mantanovic, renowned visual artist and founding director of the Pomegranate Center, a Washington state based nonprofit devoted to community-generated design and development. For Milenko, the work starts with the notion of connectivity—to ourselves, to one another, to a sense of place, and to the Earth. He showed images from Pomegranate’s community built projects and discussed how successful execution hinges on broad community involvement. According to Matanovic, project leaders must bring a wide variety of partners together at the beginning, replace public hearings with “public listenings,” and actively seek community involvement on the site.
Reinforcing the vitality of early community engagement was Chicago Park District landscape architect and CPAG Board member Christopher Gent, who recounted the story of the 31st Street Skate Park. When the CPD approached the skating community for ideas, they responded with a clay model that guided the development of a beautiful, highly functional project. Skaters took early ownership of this site and, consequently, have been leaders in teaching safe use and proper maintenance of the Park. Screening dozens of images of CPAG projects, Core Artist Olivia Gude emphasized how effective street-level collaboration allows residents to put a unique imprint on a shared space. Sculptor and conceptual artist Laurie Palmer showed artist proposals for an imagined, but not yet constructed public park to honor Jean Baptiste DuSable.
Friday’s conference, “Engaging the Social Imagination,” practiced a culture of playful planning. The morning networking allowed artists and architects, aldermen and community planners to share ideas, and urban planners to discuss proposals with agency heads. Attendees enjoyed the slide show of more than 100 uniquely designed places from around the world.
Milenko Mantanovic delivered the day’s keynote address, urging the crowd to stay mindful of big ideas and to resist the temptation to ignore ideas when they seem to have little to do with a project’s design because they ultimately help us understand a place’s unique qualities.
Attendees took these words to heart as they sorted themselves into four design charrettes, exercises meant to propel the planning process for four sites on Chicago’s Austin, Humboldt Park and West Town, and South Chicago neighborhoods. Charrette participants exchanged ideas, addressed a diverse array of concerns and proposed unique solutions for the various sites.
Over late afternoon dessert and coffee, participants developed a deeper appreciation for public space transformation while acquiring new vocabularies. We thank all presenters and attendees for making this day a pivotal step towards strengthening partnerships across the region and transforming our communities.
Twenty-nine youth artists started their workday at Bryn Mawr Avenue under Lake Shore Drive smashing ceramic tiles and mirrors. From this controlled destruction, they collected thousands of pieces of ceramic tile, mirror and concrete, dabbed them with cement and carefully placed them on a wall. For weeks, they arranged broken tiles to form a train, a bicycle, a rising sun, birds taking flight, a woman practicing Tai Chi, and dozens of scenes from daily life in the Edgewater community.
Community is at the heart of Living 2007, a gorgeous bricolage produced by Chicago Public Art Group; Alderman Mary Ann Smith; and youth from Alternatives, Inc. hired by After School Matters. Like anthropologists unearthing a hidden world, Chicago Public Art Group artists Tracy Van Duinen and Todd Osborne spent 18 months working with Edgewater residents and community groups to uncover the neighborhood’s rich history. They found that Edgewater has been the site of architectural experimentation in modest three-flats and soaring high-rises, of Chicago’s first electrically lit neighborhood, and a popular gateway to the city’s network of bicycle lanes.
Creating this bricolage recreated the palpable sense of community in Edgewater, where diversity and variety, contemporary creativity and historic landmarks form a complex urban environment. Neighborhood residents, artists and non-artists alike, placed their own work on to the wall. From large ceramic animals to small glazed tiles, these elements reinforce the mural’s collaborative scope. The core of the team was a strong team of apprentice artists who worked under the direction of the Lead Artist Van Duinen to complete a 185’ x 15’ work of art in eight weeks. The tasks before them required discipline and focused energy through heat, humidity and occasional rain. The youth met the challenge head-on, steered by 18 year-old Apprentice Foreman Kory Jackson. As Jackson recalled at the Living 2007 dedication ceremony: “The main reason why I woke up in the morning was just to come here to work. This gave me my energy, this gave me my enthusiasm, to be able to work around the people I was working around.”
They finished the piece on time, producing a multi-layered work that dazzles at first glance but whose delights are revealed through careful, up-close observation. Rainbows of color and sun-kissed tile invite passersby to reflect how urban bustle, signified by the train rolling past high rise buildings, meets a tranquil lakefront scene where kites in a perfectly blue sky float above clay birds and fish.
Living 2007 enchants residents heading to the lakefront, commuters exiting Lake Shore Drive, and hundreds of community members who contributed their ideas and energy to a project slated to continue next summer on the opposing underpass wall.